Architecture & Interior Design

My story
so far

Designing spaces that hold memory, light, and the quiet weight of material.

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Istanbul, 2025

Onur
YILDIZ

Architect based in Istanbul with professional experience in architectural design, construction site coordination and project management. I have an academic background in sustainable building design and life cycle assessment (LCA). I have been working across design office and construction sites, developing my interdisciplinary skills. My work focuses on vernacular and human-centered design. I try to explore the relationship between everyday life and spatial context.

5+
Years practice
34
Projects completed
AutoCADRevitD5Cinema4DV-RayRayonPhotoshopLightroomHand drawing

Let's make
something together

Whether you have a project in mind or simply want to connect, I'd be glad to hear from you.

Studies
& Research

Master Thesis

Life Cycle Assessment of Carbon Fiber Reinforced Polymers Used as Reinforcing in Concrete in Comparison with Steel Reinforcing Bars

Yıldız Technical University · Architecture · 2025 · Supervisor: Prof. Dr. Gökçe Tuna
10B
tonnes
of construction waste produced every year.
The building industry accounts for 32–60% of global raw-material extraction.

This is where the research begins. Not with material innovation — but with the scale of the problem it is meant to address.

01 — The Problem

A material with nowhere to go

Carbon Fibre Reinforced Polymers — CFRP — are increasingly used in construction for their extraordinary strength-to-weight ratio. Aerospace, automotive, civil infrastructure: the demand is rising fast. But there is a problem accumulating quietly alongside that growth.

CFRP cannot be recycled the way steel or concrete can. When it reaches end-of-life, it is typically either landfilled or incinerated — both routes releasing toxic gases, polluting soil and groundwater, or both. Several European countries have already banned landfill disposal of CFRP. The waste is piling up faster than the recycling technology can handle it.

The question I started with as an architect was simple: if this material is being brought into buildings, what happens to it when those buildings end?

02 — Global Research Landscape

The world is paying attention

Between 2015 and 2024, research publications on CFRP in construction grew sharply. The map below shows countries with active research programmes. Hover to see publication counts.

Publications on CFRP in construction — Scopus, 2015–2024

03 — Master Thesis · Yıldız Technical University · 2025

Life Cycle Assessment of CFRP
used as reinforcement in concrete

SupervisorProf. Dr. Gökçe Tuna
DepartmentArchitecture · Structures Programme
MethodLCA · ISO 14040 / 14044
IndicatorsGWP · AP · ADPf

Most comparisons between CFRP and conventional steel are made by weight: one kilogram of CFRP versus one kilogram of steel. By that measure, CFRP loses — it produces roughly 10 times more CO₂ per kilogram during production. But that comparison contains a fundamental error. It ignores the reason CFRP exists.

CFRP is not used because it is cheap or abundant. It is used because a small amount of it can do the structural work of a much larger amount of steel. The correct question is not "which material is greener per kilogram?" — it is "which material causes less environmental damage when used to do the same structural job?"

That reframing changes everything.

04 — The Experiment

One beam. Two materials. Same strength.

I designed a hypothetical reinforced concrete beam: 6 metres long, 30 × 50 cm cross-section. Both versions carry identical loads — 330 kN·m nominal moment. The only variable is the reinforcement material.

STEEL REBAR
420 MPa · S420
93.41 kg
required
VS
8.2×
more mass
CFRP REBAR
850 MPa · with safety factor
11.38 kg
required

Both beams carry the same load — 330 kN·m. The difference is mass: steel needs 8.2× more material to achieve equivalent tensile strength. Each icon above represents one rebar. This ratio is what flips the environmental comparison.

05 — The Result

The comparison that flips

Three environmental indicators were measured across three criteria: Global Warming Potential (GWP), Acidification Potential (AP), and Fossil Resource Depletion (ADPf). The charts below show why the choice of comparison unit determines the conclusion (Stoiber, N., vd.).

Per kilogram — the wrong question
When you compare 1 kg of each material, CFRP appears far more damaging.
Per MPa — the right question
When you compare equal structural capacity, the picture reverses.
−60%
GWP reduction when switching from steel to CFRP bar (per MPa basis)
−50%
Fossil resource depletion advantage of CFRP bar over steel (per MPa basis)
+50%
AP remains higher for CFRP even per MPa — the one category where steel still wins
Environmental impact for the hypothetical beam
600 cm × 30×50 cm beam · same tensile capacity · normalised, steel = 1

One factor that does not appear in the production-phase numbers above is durability in use. Unlike steel, CFRP does not corrode — it maintains its structural integrity in humid, coastal, and chemically aggressive environments where steel reinforcement typically requires maintenance or replacement over time. A building that needs fewer repairs, and can remain in use longer before requiring demolition and replacement, carries a substantially lower environmental burden over its full lifetime. In this sense, the long-term environmental case for CFRP in construction is stronger than the production figures alone suggest.

The research presented here is grounded in tensile strength — the property that makes CFRP most competitive. Compression strength remains a current limitation: CFRP performs less well under compressive loads, which means it is best suited to structural elements that work primarily in tension — beams, slabs, and tensile reinforcement — rather than columns or compression-dominant members. The material's application should follow its mechanical logic.

The thesis also modelled a future scenario: if CFRP is produced from bio-based precursors such as lignin rather than PAN (a fossil-fuel derivative), the environmental performance improves substantially across all categories. The material's current weak point is its manufacturing process — not the material itself.

CFRP, already valued for its mechanical advantages, is a promising low-impact alternative for sustainable construction — provided the comparison is made on structural terms.
— Onur Yıldız, Master Thesis, YTÜ 2025

These projects mark the years of rigorous inquiry, studio critique, and first encounters with structure, site, and programme.

Shelter

2023 · Temporary Shelter

Urban Memory

2019 · Mixed Use Complex

The Core

2019 · Housing

Slow Village

2018 · Housing

Music and Dance Center

2018 · Public Building

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Project Title

Year · Type

Project description goes here.

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Photo
graphy

Photography is how I see before I design. These images are collected from site visits, travels, and moments of accidental beauty.

Finland Pavillion

Venice · 2024

Kunstpalast

Düsseldorf · 2026

Brick Stairs

Düsseldorf · 2026

Ergo

Düsseldorf · 2026

Silhouette

Venice · 2024

Gallery

Vienna · 2025

Arch

Vienna · 2025

Siblings

Düsseldorf · 2026

Sun Beam

Vienna · 2025

Treshold

Düsseldorf · 2026

Row

Düsseldorf · 2026

Entrance

Düsseldorf · 2026

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Sketches &
Drawings

The hand precedes the screen. These are the drawings that happen before software — on site, in transit, at the edge of a sketchbook.

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Five neighborhoods. One city. A lifetime of looking.

The Roots

← Back

Istanbul is not a backdrop. It is a teacher. Every threshold, every alley, every wall that has been repaired a dozen times and remembers each repair — this city has shaped the way I think about space more than any building I have studied. These are five places I return to.

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In the middle of one of Istanbul's densest neighbourhoods, Bomontiada and the Feriköy flea market show how a single open courtyard or an unhurried market can become the most animated point in an otherwise tightly packed urban fabric — drawing people precisely because the city briefly opens up around them.

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"A second thought or a short quote about this place."

Balat's streets were never planned — they accumulated over centuries, curving and narrowing in ways that no grid could produce. That unplanned quality is precisely what makes the neighbourhood feel inhabited rather than organised: the street becomes an extension of the home, where daily life spills out onto doorsteps and cobblestones shared by people of different cultures who have been neighbours here for generations.

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The scale forces a slowness that wider streets cannot. The Ecumenical Patriarchate sitting at its heart is perhaps the clearest sign of how many histories this small neighbourhood still holds.

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Çukurcuma sits close enough to the centre of Istanbul to feel connected, but its narrow streets and frequent dead-ends create a pace that belongs to a different era entirely. Antique shops spill onto the pavement, facades carry the ornament of another century, and the absence of through traffic turns every blocked alley into a niche that the neighbourhood quietly claims as its own.

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It is one of those rare places where locals and expats occupy the same streets and both feel equally at home.

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Moda is a Kadıköy district where streets spill downhill toward the Marmara, framing the water at the end of every slope as though the city were constantly reminding you of its geography. The old tram lines still cut through the cobblestones, and the buildings lining these streets have watched Istanbul from the Asian shore for well over a century. Plane trees arch over the pavements, small parks give the area a human scale that feels increasingly rare in this city.

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In recent years, boutique bars, small theatre stages and comedy clubs have settled into its ground floors — keeping the streets animated long past sunset.

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Eminönü still carries the marks of the Ottoman empire in its bones — entrances to ancient inns open onto courtyard gardens in streets you'd never expect, and buildings from entirely different centuries meet at the same crossroads without apology. The chaotic collision between bulky old apartments, loud bargainings in front of the shops and the constant human rush might sound unaesthetic, but it is precisely this clash that gives the place its spirit.

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Nostalgia arrives uninvited every time.

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These five places are not destinations. They are a way of seeing.

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Things that
move me

A library of references — not a list of influences to be cited, but things I return to. Films that taught me about light. Books that changed how I read a room. Buildings I have stood inside and felt something shift.

"Architecture is the will of an epoch translated into space."
— Ludwig Mies van der Rohe

Films

09 works
Read
2009
Soul Kitchen
Fatih Akin
Read
1968
2001: A Space Odyssey
Stanley Kubrick
Read
2019
Vivarium
Lorcan Finnegan
Read
1982
Blade Runner
Ridley Scott
Read
1999
The Thirteenth Floor
Josef Rusnak
Read
1997
Lost Highway
David Lynch
Read
2020
Never Gonna Snow Again
Małgorzata Szumowska
Read
1999
Being John Malkovich
Spike Jonze
Read
2019
Parasite
Bong Joon-ho

Books

08 works
Read
2021
Without Content
Kersten Geers
Read
1968
The Right to the City
Henry Lefebvre
Read
1961
The Death and Life of Great American Cities
Jane Jacobs
Read
1982
All That is Solid Melts into Air
Marshall Berman
Read
2018
Object-Oriented Ontology
Graham Harman
Read
2006
Heidegger's Hut
Adam Sharr
Read
1993
The McDonaldization of Society
George Ritzer
Read
2017
Yıkarak Yapmak
Uğur Tanyeli

Buildings

06 works
Read
1965
Salk Institute
Louis Kahn · La Jolla, USA
Read
1975
Azuma House
Tadao Ando · Sumiyoshi, Japan
Read
1978
Gehry House
Frank Gehry · Santa Monica, USA
Read
2008
Bruder Klaus Field Chapel
Peter Zumthor · Mechernich, Germany
Read
2018
Saya Park
Álvaro Siza · Gyeongsang, South Korea
Read
2023
Saint Teresa Sanctuary
Bofill Taller de Arquitectura · Tirana, Albania
Film